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By Peter Lindblad Will Dailey would be the first to admit he hasn’t got it all figured out, but the Boston-bred singer/songwriter’s Torrent project might just be the thing that changes the music industry for the better. An attempt to break down that wall that’s always separated artist from audience, Torrent is an ongoing project for Dailey, who is aiming, in 2009, to digitally release an EP every three months of songs he’s written and recorded in that time. So, what exactly does this do for the audience? Well, the concept is this: By following Dailey’s Torrent releases, those who choose to keep up will be able to track and study — with an immediacy that has, hitherto, been out of reach for fans — the artistic growth of this rising talent. Dailey’s hopes are that it will provide them a way to watch as he writes and records songs, and even involve them somehow in the actual creative process.

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The first couple of installments have already been dispatched. Influenced heavily by a combination of lush folk and pop jangle of The Byrds and the timeless music of the 1960s and ’70s, Dailey’s Fashion Of Distraction was his initial foray into this unchartered territory. The Byrds’ Roger McGuinn even guests as guitarist/vocalist on “Peace Of Mind.” For the followup, By The Blue Hills, Dailey dug into the roots of Boston’s vibrant, and always fertile, music scene to come up with songs that embody the quirky, intelligent pop/rock that has been a hallmark of that city’s indie scene.

In doing so, Dailey enlisted help from such local heroes as The Cars’ Elliott Easton, Tanya Donelly of Belly and Throwing Muses, Tim Brennan of the Dropkick Murphys, Duke Levine and Sean Staples, and Kay Hanley of Letters To Cleo. Early on in his career, Dailey would venture out on his own to play coffeehouses or play in bands with friends in area bars. Having grown tired of that, Dailey, in 2003, recorded a stripped-down set of originals for the album GoodByeRedBullet. He moved to Los Angeles, where his work caught the ear of XM Radio’s Billy Zero. Next thing he knew, record labels came calling, hoping to sign the pop-minded Dailey.

Then Dailey, who was without health insurance, was struck with appendicitis. The exorbitant hospital bills forced him back to his Boston home, where he got with backing band The Rivals and put out Back Flipping Forward in just nine days. Five months after releasing the record, Dailey was signed by a revived CBS Records. Back Flipping Forward was the shot in the arm Dailey needed, and it generated loads of acclaim. It won Dailey the Boston Music Award for Best Male Singer/Songwriter in 2006, and, after CBS reissued the record, Dailey’s music began appearing on TV shows like “CSI: Miami,” “Eli Stone,” “The Hills” and “CSI: New York.” Dailey even got some face time on “CSI: New York.” Torrent is the next step in Dailey’s evolution, and with each release carrying with it a certain thematic quality, there should be something to please everyone.

From the down-home country shuffle of “Keep You A Mystery” to heavenly “Never Be Your Baby,” Dailey’s keen pop sensibilities shine through on both Torrent 1 and 2. And eventually, physical copies of Dailey’s EP will also be available complete with extras and presented in CODE, a high-resolution audio standard pioneered by T-Bone Burnett. Interviewed together, Dailey and Hanley highjacked our recent conversation and debated the merits of Twitter, while also touching on the possibilities that Dailey’s Torrent project offers to those who consume music. Will, how did you got started with the Torrent project and what was the intention? Will Dailey: The intention for me was to trick my record label into letting me record as many songs as I could, because I found that Kay Hanley: Everybody needs a hook. WD: I found that, you know, you make a record, and you record 10 or 12 songs, and then you are stuck, especially when you’re on a label and you’re not doing it yourself.