Waves CLA Classic Compressors Plug-in Bundle Features: Classic electro-optical tube compressor (CLA-2) and transistor-based compressor (CLA-3) models Two versions of a classic mid-'60s limiting amplifier (CLA-76 Blacky & Bluey) Includes many of Chris Lord-Alge's personal presets Compressor and Limiter modes on CLA-2A and CLA-3A Zero latency. Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar. C6 MultiBand Compressor Center CLA-2A CLA-3A CLA-76 Blacky.

/ 5 Attack time (Variable, 0.1 to 10 ms), Release time (Variable, 0.05 to 3 secs), are definitely not controllable allan_k Nov 17 2015 If it was modelled properly then the attack/release and the ratio are dependent on the source signal but generally the original Teletronix was a 10ms attack time, a 4:1 ratio and the release was around 60ms on quick signals with a further hold from 1s - 15s depending on the signal. It worked using a luminescent panel as an input and photocells 'seeing' and adapting the compression ration and release, if the photo cell sees light it continues to work. You control it by using the input gain and peak together.

Gain would make the panel inside brighter optically and then you adjust the peak to control the amount of compression (how much of the light the photo cell responds to). An opto compressor. It leaves transients alone and averages out the signal over time. Great for bass, guitars, keys, and vocals (in conjunction with another compressor like an 1176 if you need to deal with a vocalist's transients). I use this style of compressor as a leveller. I used a hardware one constantly in 1990's when I was a studio recording engineer. The Native instruments VC2A is probably my favourite version in a plugin.

It responds how I remember it. Cyber_T Sept 27 2016 Thanx for your professional and detailled answer. And also for the classic tip to combine a la2a- comp with a 1176- style comp (maybe the free 'antress 7th sign'). This combination works also great with snares and it's interessting to experiment with the chain: Sometimes I favourite the 1176 in the first instance, sometimes the la2a. Submit a comment * (*) Comments are validated before published.

True classics stand the test of time. Chris Lord-Alge is a true classic.

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Over the course of a career spanning almost three decades, he has worked alongside many artists who are classics in their own right. Dave Matthews Band. Brian Setzer. Peter Frampton. Steve Winwood.

Grandmaster Flash & the Furious Five. And many others. Now, Waves and Chris Lord-Alge join forces to bring you impeccable models of four compressors considered true classics by audio engineers the world over.